中国十大传世名画

简介:本文是中国十大传世名画论文范例跟名画类电大毕业论文范文.

China’s long history has delivered us with many priceless masterpieces in traditional Chinese painting. While some of them were lost or destroyed during wars, many more survived thousands of years and are now conserved and protected within museums throughout China and around the world. Here are 10 of the most famous Chinese paintings of all time：

Nymph1 of the Luo River

Artist and writer Gu Kaizhi （ca. 344–406） painted Nymph of the Luo River on a long silk scroll during the Eastern Jin Dynasty （317–420）. The narrative scroll, from which four copies dating to the Song Dynasty （960–1127） survived （now exhibited in Beijing, Liaoning and Washington2）, illustrates the poem Ode to the Nymph of the Luo River, written by Cao Zhi （192–232）.

It is a large scroll that should be “read” horizontally, depicting the love story between the poet and the nymph, from their meeting to their parting.

Emperor Taizong Receiving the Tibetan Envoy

Emperor Taizong Receiving the Tibetan Envoy depicts the meeting of Emperor Taizong of the Tang Dynasty （618–907） and Ludongzan, Gar Tongtsen Yulsung, an envoy sent by Songtsan Gampo （617–650）, the ruler of Tibet, to accompany Princess Wencheng back to Tibet to be his queen. Yan Liben （601–673）, the artist who created this painting, was one of the most revered3 Chinese figure painters in the early years of the Tang Dynasty. The ink and colour on silk handscroll4, 129.6 cm long and 38.5 cm wide, is now in the collection of the Palace Museum in Beijing.

Noble Ladies in Tang Dynasty

Noble Ladies in Tang Dynasty are a serial of paintings drawn by Zhang Xuan （713–755） and Zhou Fang （ca. 730–800）, two of the most influential figure painters of the Tang Dynasty, when the paintings of noble ladies became very popular.

The paintings depict the leisurely, lonely and peaceful life of the ladies at court, who are shown to be beautiful, dignified and graceful. Four most-renowned paintings in the serial are Portrait of Lady of Guo Going Sightseeing in Spring （by Zhang Xuan）, Court Ladies Preparing Silk （by Zhang Xuan）, Court Ladies Adorning Their Hair with Flowers （by Zhou Fang）, Court Ladies Swinging Fans （by Zhou Fang）.

Zhang Xuan used fine brushwork5 to make paintings of people and was especially good at painting noble ladies, infants and pommel horses. Zhou Fang was influenced by the pure and detailed style of the Jin Dynasty artist Gu Kaizhi, and his portrayals of court ladies are characterized by round faces and plump figures.

The background of the scene is largely colored gold—the color symbolizing wealth and royalty—further glorifying the country.

The hand scroll is 1,191.5 cm long and 51.5 cm wide. It depicts spectacular landscapes, excellent architecture, exotic animals, and humans living in harmony and peace. It is now part of the collection of the Palace Museum in Beijing.

Along the River During the Qingming Festival

Along the River During the Qingming Festival was painted by Zhang Zeduan （1085–1145）, a court artist of the North Song Dynasty （960–1127）. The handscroll captures the rich scenery and natural landscapes along the shores of Bian River in the Northern Song capital Bianliang, which was located near modern-day Kaifeng in Henan Province.

Painted in light colors on silk and measuring 24.8cm × 528.7cm, the original work is now in the collection of the Palace Museum in Beijing.

Dwelling in the Fuchun Mountains

Dwelling in the Fuchun Mountains is one of the few surviving works by the painter Huang Gongwang （1269–1354）. The painting is created based on the Fuchun river’s8 early autumn scenery. Huang made full use of the Chinese traditional techniques. The arrangement is a masterpiece of movement and stillness as well as density and expansiveness. The ink likewise ranges from extremely dry to moist, and the strokes also vary from centered brushwork to slanted.

Painted between 1348 and 1350, the Chinese landscape painting was burnt into two pieces in 1650. Today, one piece9 is kept in the Zhejiang Provincial Museum in Hangzhou, while the other piece10 is kept in the Taipei Palace Museum. The entire painting combined would measure 691.3 cm in length.

Spring Morning in the Han Palace

Created by the Ming Dynasty （1368–1644） painter Qiu Ying （ca. 1494–1552）, Spring Morning in the Han Palace is a silk scroll painting noted for its bold use of colors. With a length of 574.1 centimeters and a width of 30.6 centimeters, it is considered very large relative to other similar decorative artwork. Qiu Ying is one representative painter in the Ming Dynasty, and is regarded as one of the Four Great Masters of the Ming Dynasty along with Shen Zhou （1427–1509）, Wen Zhengming （1470–1559） and Tang Yin （1470–1523）.

This long scroll is an imaginary representation of various activities in a Han Dynasty （206BC–220AD） palace on a spring morning. The intricate composition is rendered with crisp brushwork and beautiful colors. Trees and rocks decorate and punctuate the garden scenery of the lish palace architecture, creating marvelous scenery similar to that of immortal realms. In addition to the groups of beauties, leisure activities of the literati, such as the zither, chess, calligraphy, and painting as well as appreciating antiquities and planting flowers are depicted, making it a masterpiece among Qiu Ying’s historical narrative paintings.

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[3] 期刊论文发表十大技巧 论文是否能有小标题（每个小标题有顺成关系）